Gunther Mohr himself has managed over both parts to fully showcase not only his immense writing talent, but also incredible acting versatility,
the darker parts of Vincent that were only just coming to the surface in part one are fully exposed here, and Gunther Mohr’s performance really embodies the weight of
a man burdened by immense expectation and responsibility.
- Chris Buick UK Film Review -
The most striking figure in Betrayal is undoubtedly the maniacal villain Martin Schoonma, a cool, calculating, cunning and ruthless Dutch Nazi who hunts his Jewish victims with relentless zeal. With a rich arsenal of facial expressions,
Dirk Gunther Mohr manages to turn Schoonma into a truly terrifying and reprehensible subject that is occasionally reminiscent of Hans Landa from 'Inglourious Basterds'.
- Frank Heinen Cinemagazine.nl-
As Johan Zuiderwijk, Dirk Gunther Mohr delivers a remarkably controlled and deeply moving performance. With quiet strength and precise emotional nuance, he embodies a man caught between loyalty, fear, and responsibility during one of the most turbulent moments in Dutch history. Even the smallest shifts in his expression carry weight, revealing layers of leadership, vulnerability, and unspoken resolve. His gentleness, his silence, and his carefully measured restraint create a powerful harmony that draws the viewer in and leaves a lasting, haunting impression.
-Actors Awards Los Angeles-
Schoonma is genuinely one of the strongest villains in Dutch cinema, despite the fact that the number of scenes with him are rather modest and there is not much focus on him.
-Bjorn Vandermarliere Fast Forward -
While the entire cast is committed and convincing on their performances,
Gunther Mohr carries the film with a serious, tortured performance that reminded us of the protagonists of theItalian Neorealism.
It’s a portrayal that feels natural and that carries everything in the eyes and face
expressions from our protagonist. He tries his best to be strong and keep it together, yet the pain and fear are always there, and it all pours out in the final scene, thus coming as a symbolic gesture of the Dutch society’s own efforts to hold on only to then lose everything that once made it alive.
-Jerzy Suchochki - Global Filmography-